风的传人

爱情片美国1960

主演:斯宾塞·屈塞,弗雷德里克·马奇,吉恩·凯利,迪克·约克

导演:斯坦利·克雷默

播放地址

 剧照

风的传人 剧照 NO.1风的传人 剧照 NO.2风的传人 剧照 NO.3风的传人 剧照 NO.4风的传人 剧照 NO.5风的传人 剧照 NO.6风的传人 剧照 NO.13风的传人 剧照 NO.14风的传人 剧照 NO.15风的传人 剧照 NO.16风的传人 剧照 NO.17风的传人 剧照 NO.18风的传人 剧照 NO.19风的传人 剧照 NO.20
更新时间:2024-04-11 05:52

详细剧情

根据1925年真实案件“猴子审判”(也称“斯科普斯案”)改编。一名美国高中生物老师因在课堂教授进化论,被州政府起诉。案件轰动整个美国,教会势力前来小镇声援,教授、科学家等另一阵线也来支持,加上媒体的持续报道,令小镇顿时热闹起来。   政治家马修·哈里森·布拉迪(弗雷德里克·马奇饰演)代表控方出庭,辩方律师则由著名律师亨利·德鲁蒙德(斯宾塞·屈塞饰演)代表。审讯期间,两人针锋相对,渐渐成为一场关于进化论与创世纪、科学与宗教的世纪大辩论。   片名取自圣经箴言书 11:29 “扰害己家的,必承受清风”。

 长篇影评

 1 ) 台词摘录

1.你不可能公正的执行一部恶法。 2. E:“今天发生的一切都没有意义。” H:“那是因为你自己没有意义。你只是一个袖筒里什么也没有的幽灵。为所有人们感觉渴望或为之奋斗的东西,都施以嘲笑。我真可怜你。” E:“可怜我?” H:“难道没有什么东西能够触动你、温暖你吗?每个人都有自己的梦想,你的梦想是什么?你需要什么?” E:“.......” H:“你什么都不需要,是吗?朋友、爱一个可以倚靠的信念?你这个可怜的家伙。你完全就是孤身一人.....等你入土,没有人会去你的坟墓那里,然后为你的坟头除草;没有人为你默哀,没有人会在乎。你完全是孤身一人......”

 2 ) 翻译进度表

共2796行台词,最早2010年有翻译打算

2010年12月25日 0039/2796
2012年12月30日 0536/2796
2013年01月18日 0607/2796
看到有翻译的字幕了,弃坑了。

未完待续……

 3 ) 记录一下台词

Can't you understand? That if you take a law like evolution and you make it a crime to teach it in the public schools, tomorrow you can make it a crime to teach it in the private schools? And tomorrow you may make it a crime to read about it. And soon you may ban books and newspapers. And then you may turn Catholic against Protestant, and Protestant against Protestant, and try to foist your own religion upon the mind of man. If you can do one, you can do the other. Because fanaticism and ignorance is forever busy, and needs feeding. And soon, your Honor, with banners flying and with drums beating we'll be marching backward, BACKWARD, through the glorious ages of that Sixteenth Century when bigots burned the man who dared bring enlightenment and intelligence to the human mind!

 4 ) Fear in the Wind (语境批判)

Throughout history, humans have undergone a constant evolutionary process in regards to ways in which we view the world. The play Inherit The Wind by Jerome Lawrence and Robert E. Lee conveys how modern ideologies experience turbulence when first presented. Often times the past has revealed that humans are inherently skeptical and resistant to progressive ideas. The 1950’s, in which the play was written, sets a tone that illustrates how ignorance, loss of power, and fear of uncertainty heightens anxiety and causes the characters in Inherit The Wind to remain stagnant in their views.

Ignorance is the main factor that contributes in further perpetuating any conservative society. Southern states of America have had a track record of being regressive and reluctant to change. Whether it be civil rights laws, laws in regard to sexuality or the banning of evolution being taught in schools, the south has always had a slower progression than Northern states. The setting of the Inherit the Wind is Hillsboro, Tennessee, a small town in southern United States. The five most illiterate cities in the United States are either southern cities or small towns. Small town culture in the 1950s further signifies that people would tend to have conservative and outdated ideologies by living amongst a smaller population. This lack of public knowledge is represented during the play through a conversation between Drummond and Bannister. Drummond asked him if he had ever read the Bible before, and Bannister answered: “Can’t read.” (page 39)Bannister represents ordinary people in southern United States at that time. Therefore, given the understanding that many people were illiterate, a sense of unsafety would result as well. This fear caused by ignorance leaves these uneducated folks vulnerable and incapable of challenging dominant ideologies.

Entertainment is a way to escape from the shadow of war that limits the depth and breadth of thinking. The 1950s was the introduction and popularization for many forms of entertainment. Televisions became a household item, and for the first time in human history is was common for everyone to own a radio. This wide spread entertainment culture is portrayed in Lawrence and Lee’s play. For instance, when people talked about the trial, they commented: “Everyone says it is going to be a show.” In this case, they were unconcerned about the actual truth of the trial. Instead, the people of the town viewed it as a talking point, that would be a source of entertainment. The ignorance caused by a strong focus on entertainment value gradually causes the public to see things from a superficial layer. There is little mention or talk about the evolution theory or of it’s specifics and validity. Thus fear of change is going to be produced by wrapping up in their thought-forms. As a result, people choose to not to think outside of daily life, this will only results the same social status. Due to the special geographical areas of the play and mass entertainment in the 1950s, the sense of unsafety and indifference of truth brings little change to the society.

Christianity is the dominant religion in American society. During the 1950’s Christianity’s influence on the public was powerful, religious leaders were intimidated by deconstruction of power and everyday people suffered from cognitive dissonance.

The fear in real life comes from losing status and power. For example, the authors create the character Brady that fulfills the archetype of William Jenning Bryan in history, Bryan was both a democratic presidential candidate and a fundamentalist. In the powerful years for Christian society during first half of 20th century, it seemed reasonable to say that he could achieve such high position due to their identity as a fundamentalist. Bryan is the expert of a specific and special subject - the Bible, which means once the society does not recognize the Bible any more, the Christian society would collapse. Therefore, teaching the theory of evolution has been banned in American classrooms in Tennessee by the strong supports of Bryan from 1925 to 1967. Based on the image of Bryan, the character Brady whom is developed by the author once said to public: “I am here to defend that which is most precious in the hearts of all the Living Truth of the Scriptures.” (page 20) It is not hard to see that words like “most” and “all” indicated the anxious heart of Brady to maintain the Bible. Both of them believed that as long as people know nothing about the theory of evolution, the Bible is still the only truth in the world and Christians would continue to rule the society.

On the other hand, cognitive dissonance is another factor that inhibits the progress of modern thoughts. Before the 60’s and the 70’s revolution, people in America haven’t yet gone through a social upheaval. As faithful fundamentalists, they have been taught to believe in the Bible from childhood and they reject any opposing views to their faith. The theory of evolution indicates that people evolved from monkeys which conflicts with the Bible which states that God created human beings. Many people who belong to a particular religion have a hard time holding two conflicting thoughts. Brady once mentions “The bible satisfies me, it is enough”, this quote is revealing that religion provides a sense of comfort. Given this understanding, it is easy to comprehend why people become so dismissive to new ideas. Hillsboro finds difficulty in making steps towards change because of the threat that loss of power presents as well as the hold cognitive dissonance has on people’s mind.

Uncertainty fuels ideas of instability and fear, the unknown has always plagued human existence. American society was faced with many challenges in the 1950’s due to the threat of communism. In Inherit The Wind, science is used as a parallel to communism because of the shared newfound concepts they presented.

Science is a subject that is endlessly exploring and discovering the new. For some this represents instability and results in uncertainty. Humanity hadn’t experienced the scientific and technological advancements like the 60’s and 70’s, so people were skeptical about science in the 1950s. Religion is different, everything is written in the Bible with certainty, which provides a sense of safety for people. Brady signifies this faith as he says : “Hopeful, I think is the word. We must look hopeful.” This quote further explains why so many people hold their belief, faith can give them the things for certain that science could not provide.

Moreover, Inherit the Wind mirrors the Red Scare during the Cold War in the 1950s. At that time, the Cold War started and the international situation remained tense and turbulent. American society was suffused with the red scare which was the fear of a rising potential of communism that may subvert and take over United States. Therefore, McCarthyism was born, an ideology rooting off all the communists in America. Then, lots of policies has come out to against the communism. It is interesting to notice that the Red Scare and the play shared different stories but the same ideology: fear of change due to uncertainty. The authors used the present as a reference to write this play, the theory of evolution is referred to Communism, and the supporters of McCarthyism is similar to Brady in the play. In Inherit the Wind, Drummond asked Brady about the theory of evolution :‘Never read it?”, Brady answered: “And I never will.” (page 86) These two concepts works similarly in that people were not familiar with the specifics of communism, however they do not like the sense of uncertainty. By exaggerated propaganda of Communism, sweeping all the communists out of America became a major task at that time. Compared to Inherit the Wind, banning not to teach the theory of evolution is the main motive in the society. The resemblance between communism and science as newfound ways of thinking serve as the reason for why people are so reluctant to move forward.

Humans have a tendency to fear change, this has been proven time and time again throughout the course of history. Inherit the Wind exemplifies this fear and parallels it to American society during the 1950’s. Through it’s irony, and satire Lawrence and Lee express their disapproval of the government’s behavior and the mainstream society. The authors use ignorance, loss of power and uncertainty to demonstrate how people can refuse to evolve and grow. Lack of knowledge is attributed to the Southern town culture and the immense entertainment of the 1950s. Moreover, the fear of religious leaders losing status and spirituality causes the society to maintain rigid. More importantly, the panic induced by a sense of uncertainty mainly comes from rapid scientific development and fear of communism. The author used the play as a reflection of 1950s in order to satirize the present, the closed mind eventually propels a conservative society.

 5 ) 现在看它和以后的人们看我们,你说的风是什么风

一切都是套路,可为什么还会意犹未尽?虽是要跨入VR的时代的风口年(起码是2016年大众普遍的认识),可花2个小时看老套好莱坞模式的黑白电影,读一个故事代入一段历史,丰富个体的体验,最终满足求知欲才是目的。
如今看来的好莱坞旧模式,戏剧化的定格表现,夸张的接吻POSE和看了N遍的固定经典出场镜头多多少少会有年代代入感,少些新鲜感。节奏如此之快的当代,没有2、3秒一切的快镜头,没有摇臂拉移的眩晕,更没有视觉震撼的特效,票房几乎就没有了保证。一个小镇,几个房间,一个法庭和一堆汗流浃背却卖力演出的演员是硬件的全部,当然精彩的辩论和布局足以弥补大部分,形与神的一同支起了整个故事。不得不说让我想起《十二怒汉》,同样的低成本制作(道具和视觉效果方面),同样的夏天,同样的戏剧化房间,同样的精彩辩论,同样的少数派的成功引领了最终剧本走向和胜利。
以如今的观念去理解过去的观念并不是件容易的事情,推回到1920年代,正确与错误也只能留给后人也就是我们来评判(或者留给三体人)。千年来对宗教坚守,造成了盲目的排外,一千个读者有一千个哈姆雷特,可偏偏一个出众的哈没雷特一狂热,往往将剩余九百多个哈没雷特变成由头羊带领的羊群,无意间陷入自我服务偏见中,丧失了自我深入思考的意志,再不停的自我印证,或许要比这些步骤还简单,只是单单不喜欢异己者。也许这与人本身的自我保护设置有关,群体性动物服从大多数,服从权力者,从身到心。幸好还有人站在另一面改变航行的方向。当然还有12名从狂热群众中选出来的最终并没有那么狂热的陪审团,是他们最终敲定了最终的判决。
为了增加戏剧化效果,主导观众情感变化,影片有特意丑化宗教一方,特意加大了他们的盲目和声势浩大,而教师一方的队伍则是善良、理性又处于弱势。高潮在几场不同的针锋相对中,辩论从输赢到对错再扭转焦点到自由意志,演员的激烈与敬业程度,让我甚至担心在36度的高温中白发老人会激动到晕倒。可最打动人的心弦,让你不再成为旁观者的高潮在哪里呢?我想也许是恐惧。进步是我们最大的骄傲,工业革命,科学的发展,某种程度上我们都是功利主义者,奔跑追求最大的幸福的路上,追求着进步,自由,富强,民主,平等就先不算在内。可若是倒退?倒退到黑暗之前?倒退到战争、苦痛、限制的过去?这个恐惧会不会让你停下来思考一下?
对与错从来都是站在主观角度上的,也并不是声音大的就是正确答案。达尔文演化论到今天已经毋庸置疑的成了真理,群体性狂热也已经被群体性前进所取代。今天我们热烈的欢迎新理论新知识,迭代与矛盾共存,日新月异的前进是我们共同繁荣的基石。同性恋翻身成了时尚,不同的信仰得以休战共存,一神论的宗教到底最终的敌人是科学还是其他的宗教?宗教孕育出了科学,但《圣经》那些详细的记载又让它漏洞百出,不如我大《论语》那简短的篇幅容易任意打扮。
影片的结尾,那位捍卫自由思想与科学的老者独自一人拿着bible的身影,让在表面上看起来科学的胜利下,又罩着一层更引人深思的矛盾。牛顿投入上帝的怀抱,宗教孕育发展了科学,达尔文犹豫了几十年才发表进化论。历史会重复,可自由意志的存在最大限度的减少了这个可能,螺旋上升的世界才是我们骄傲的基础。昨日的问题与今日不同,但如果今日我们所有的信以为真都岌岌可危会如何?我们会否成为盲目的大众?盲目的自信到一叶障目?我想每个人或多或少的都在做,狂热、盲目、仇恨异己者、团结内群体、自我服务偏见、自我验证、归因错误。。。有些我们不会,有些总会不由自主。那时候,我们需要这样一场辩论,需要这样一场风。

 6 ) 自信而盲目/

Inherit the wind

人的自由意志不被禁锢,但以其肆意妄为必将一无所获

20世纪20年代美国也曾有过如此落后的“猴子审判”?

1925年美国田纳西州出台了一项有关达尔文进化论的法律,禁止公立学校教师在课堂上讲授人由低等动物进化而来的理论。在十分保守并且有着传统宗教信仰的美国南部地区,这样一项法案无疑得到了大部分人民的认可,尽管一些科学家联名写信抗议,但一系列反进化论立法运动在法案生效之时达到高潮。

美国公民自由联盟(ACLU)对这项威胁学术自由的法案表示抗议并找到一名曾在中学课堂上讲授进化论的年轻生物教师斯科普斯,授意他主动承认违反禁令,希望能通过审判来挑战“上帝的法案”的合法性。由此,当时的美国政客布莱恩与律师名嘴卡莱伦斯达罗分别站在狂热基督徒和科学进步的对立面上,对这一敏感主题进行了一场法庭辩论。由于名人效应和媒体的催化,“猴子审判”成为全美的热议话题,两周的审判引来成千上万的民众和记者。来自法庭的一手采访和照片占据了全美报纸的巨幅版面。无论是噱头还是追求正义,“猴子审判”都造成了深远的影响。

1960影像化的世纪大辩论

由斯坦利·克雷默指导,改编自真实案件“猴子审判”的影片inherit the wind于1960年在美国上映,在影像色彩冲击视觉的今天,很难想象抛开精美画面的黑白电影是怎样呈现宗教与科学之间的冲突的。

故事发生地在美国南部,人民对上帝深信不疑。“向上帝挑战”吸引政客亲自下场激情辩论,将教徒煽动成宗教狂热份子。在这个保守的小镇,勇于追求科学的生物老师斯科普斯已经成为了众矢之的。另一方面,名嘴律师对陪审团加入学者据理力争,对禁令违反联邦宪法提出异议,对加入科学家证人出庭做出申请,对圣经故事和进化论并不相悖的地方进行说明。在这些提议被法官一一否决后,律师提出让推崇圣经能够解释一切的公诉方政客布莱恩作为专家进行询问。政客布莱恩无法说清圣经中不符合自然规律的地方,由此,进化论中与圣经故事不相冲突的部分也应该被教徒承认。然而全片高能的律师与政客的辩论最终并未改变陪审团的决定,法官最终判处生物教师斯科普斯一百美元的罚款。

斯科普斯案被草草收场,胜诉的政客却在影片结尾戏剧化的倒下了,不知是信仰被无神论者颠覆还是自己根本无法面对早已心知肚明的科学进步。

影片的主要场景是一个容纳百人都略显拥挤的小法庭,控辩双方汗流浃背的维护着自己的信仰,在炎热的气温下,任何人都不得不屈从于自然的法则,然而影片中过度渲染宗教情绪的片段让人忽视了律师所捍卫的是宪法赋予学术言论自由,而非宗教的冥顽不灵。极端的信仰令朋友家人分离,使教徒认为进入天堂的代价是情感上的冰冷。信仰的盲目崇拜者将失足落水的小男孩判定为不受上帝祝福的异教徒,人们用自己内心的冷漠勾勒出一个极端的上帝。政客布莱恩对圣经的坚守使他盲目的排斥任何干扰信仰的异类,否定站队进化论的无辜教师,在极端偏见中丧失了深入思考的能力。当律师对他所拥护的圣经提出尖锐的质问时,布莱恩的精神世界备受挑战。尽管得到了胜诉的结果,同时也不得不体会自身信仰坍塌的痛苦。是否全盘接受达尔文的进化论并不重要,人们更应该关注的是如何处理独立思想与信仰之间的关系。辩方律师卡莱伦斯达罗在影片结尾同时拿着一本圣经和达尔文的物种起源,他相信自己是一个拥有信仰并对科学的进步有理智判断的人。“人的意志才是真正的奇迹,狂热和愚昧不能阻止人类思考。”

其实在“猴子审判”后引发的一系列事件并未被导演搬上银幕。20世纪以宗教为主导的美国社会被科技发展攻破,斯科普斯案带来舆论却认为法案的胜利代表着圣经至上,进化论在课本中担任了无用的角色,真正的科学被当作迷信从书本中剔除,误导大众的信息被媒体当作噱头大肆传播,给无知的人带来恐惧,给急功近利的人带来武器。从法案颁布到后来的三十年间,过半的美国教师不敢公开自己对进化论的认可,教材中有关进化论的内容被修订,美国高中生的进化论教育一度低迷,直到多年后科技的发展在得到社会认可后才抚平这一世俗的指责。

在人类意志相对自由的现代社会,宗教对科学的束缚转化成为了道德对科技的束缚。在科技飞速发展的未来,崇尚理性自由的人类会不会因为过于自信而盲目,那个时候的我们是否需要迎来一场新的世纪大辩论?

 短评

美式魔幻现实主义,马奇和屈塞庭审斗法实属精彩

8分钟前
  • 黑特-007
  • 力荐

058:“如果你针对进化论来立法,然后禁止在公立学校里教授它,随后你就可以禁止在私立学校里教授它,然后你连阅读进化论都禁止掉,然后你可以禁止办报和出书……如果你可以做到一点,你完全可以做到另一点……很快,到来的就是满天禁令,还有满耳的歌功颂德,我们就要大步地开始倒退了!倒退!”

12分钟前
  • 鹿鸣
  • 推荐

结尾太厉害了,讽刺效果拉满,作为一部输出价值观的电影,其所有的矛盾都是围绕着形而上的主题展开的,但却丝毫不让人觉得无聊,因为关于自由思想、信仰的坚持、理性的怀疑的探讨都是那么地打动人,在20年代的南方,宗教的原教旨主义还是统治着人们的思想,法律在其中成为了极其尴尬的角色,但电影中塑造的多个形象都暗示着历史的转轨,新闻人的虚无主义、法官的平衡和睿智、牧师的顽固和煽动、学生的进步与觉醒,一切都在变化着,所以政治家成为了牺牲品,他所捍卫的那个旧时代已经渐渐远去了,“风”的意象成为了点金之笔,不管是扇扇子还是结尾突然切到了电风扇,人的价值才是最大的力量,我们回顾人类历史上那些伟大的转折时刻时发现那均是一次次关于思想解放的战争,所以说这部电影在回顾美国历史上关键时刻的同时也颇有对当时激荡时代的指涉

17分钟前
  • 幽灵不会哭
  • 力荐

Can't you understand that if you take a law like evolution and make it a crime to teach it in public schools, tomorrow you could make it a crime to teach it in private schools, and tomorrow you may make it a crime to read about it? And soon you may ban books and newspapers. And then you may turn Catholic against Protestant, and Protestant against Protestant, and try to foist your own religion upon the mind of man.

22分钟前
  • 颍原真吾
  • 推荐

8.3最近迷上进化论而看的。根据真实案件改编,科学和宗教的冲突。表演很精彩,法庭辩论戏尤甚,继《控方证人》后看过最精彩的律政戏,很具有思辨性,不过最后一场法庭戏克鲁蒙德律师用进化论对圣经的质疑好像只是点到为止,表达得太精简,没有详细的去驳倒,难以今普通观众理解。结尾的对话更有深意,要科学也要有信仰。“一切恶法,就如同瘟疫一样,能够摧毁每一个人,无论是它的反对者还是它的马前卒。如果你能把在公立学校讲授进化论的行为裁定为一项犯罪,不久以后在私立学校讲授进化论的行为也会成为犯罪,然后阅读进化论也会成为罪行。如果针对进化论来立法禁止,随后你就可以连阅读进化论都禁绝掉,然后你可以禁止办报出书,然后还可以尝试将你自己的宗教强加到所有人的身心之上,如果你可以做到其中一点,你完全就可以做到另一点。”

27分钟前
  • 黑山懒妖
  • 推荐

今天你可以禁止不准说,明天可以将某句从圣经划出,之后你就来建造你们自己的教堂,很快就能进化到那个年代,手举火把燃烧异教徒的时代。

29分钟前
  • twopersons
  • 力荐

关于《进化论》与上帝、人权与神权、真理与信仰/意识形态 的法庭辩论,在导演的执导、演员的演绎下,精彩万分

33分钟前
  • 有心打扰
  • 推荐

magnet:?xt=urn:btih:9d6c216afe2794a2a391cc1ba98fc1e8487b9130&dn=Inherit.the.Wind.1960.1080p.BluRay.X264-AMIABLE%20%5BPublicHD%5D

37分钟前
  • Eden's Curve
  • 推荐

这样的一个故事,拿到现在来看,也依然充满了明镜般的现实意义。荒诞剧是人类历史上亘古不变的主题之一。科学和理性或许能够战胜蒙昧,但始终战胜不了蒙昧的群体。达尔文的《物种起源》和《圣经》一起被男主捧在怀中的结尾,代表着那个年代里想要调和这一巨大分歧的真诚努力。而假使让我们这一代来翻拍的话,答案大概就是飞面神教了吧……

41分钟前
  • 猪头妖怪
  • 推荐

对信仰的狂热成为愚昧无知的利器。影片就信仰上帝与科学的冲突进行了一场激烈的辩论,但真正引人深思的却并不仅仅如此。重要的是,每个人都拥有思考和表达看法的权利。精彩的法庭辩论戏贯穿全片,情节居然取材真实时间,的确有些匪夷所思~

44分钟前
  • Granite_花花
  • 推荐

四星半1.克雷默的法庭戏总是精彩,镜头运动和人物构图依然直白而高效。2.暴食的信仰者律师,扰害己家的承风者牧师。尽管偏向明显,克雷默却依然揭示、同情甚至部分认同了布拉迪这位信奉宗教者的可敬一面。3.审判落幕后处于闹剧中的演讲恰是宗教信仰已经在美国人心中几近全面崩塌后的图景。4.影片同样对金凯利代表的虚无主义者和怀疑主义者表达了否定,电影主题也因此由自由之思考拓展至对信仰(只能由自由的思想确立)的坚定与追求。Everybody has the right to and should build one's own monument.

48分钟前
  • JeffLivorno
  • 力荐

两个影帝的强强对抗,接受达尔文的进化论不代表亵渎上帝,而信神也不说明就无视自然规律,可惜狂热教徒不理这套还将讲授进化论认作为违法就非常可笑,但卫道士律师的偏执与倒下又让人看得唏嘘,一切都不必如此极端。

50分钟前
  • touya
  • 推荐

影片根据斯科普斯案(猴子审判案)改编,尽管稍有改动,仍然十分生动真实地再现了该案的来龙去脉。最艰难的抉择并不是发生在对与错之间,而是对与对之间。在科学与宗教的关系上,爱因斯坦的话或许更有启发性,“没有宗教的科学是跛子,没有科学的宗教是瞎子。”科学与宗教,一个负责世俗社会的物质进步,一个负责内心世界的灵魂宁静,完全可以并行不悖,携手前行,共同促进人类社会的发展和繁荣。在正确处理两者的关系上,我们最需要的也许就是宽容精神,尊重彼此的差异,学习彼此的长处,就像丹诺在为该案辩护时所说的,与其说他在为科学辩护,不如说他是在为宽容辩护,他唯一不宽容的对象就是不宽容者。

53分钟前
  • 尤里卡
  • 力荐

bravo!第一次看金句如此密集的电影,句句是金句,每个对话拿出去都可以当电影门面被营销号发长截图的那种

58分钟前
  • pissoff
  • 力荐

不是三大男神的锅,克雷默的场景调度也依旧不俗,只是与如此二元对立的主题与观念表达相比,影片本身的戏剧张力实在是不足称道。

1小时前
  • 猫日那
  • 还行

值得深思的一部电影即使过了那么多年依然如此,人权与神权之争用一场官司其实是远远说不完的,这样的一场法庭辩论也仅仅是抛砖引玉吧。片中三个主角代表着三种观点,仔细看过电影的人不用看到片尾就会发现屈塞和马奇其实都是教徒只不过他们对待宗教的观点不一样,而以凯利为代表的无神论者并不被影片所推崇当然也没有鞭挞反而是这一角色的很多台词讲出了一部分观众的心声比如人还不如猴子,人已经在不断倒退都快要退回海洋了。此角色最后说的一句台词真的是太让人感慨了,他对屈塞说,你会在那里的,你就是那一类人,还有谁会捍卫我孤身一人的权力?屈塞片中那段慷慨陈词更是掷地有声。两位影帝飙戏非常过瘾,尤其他们还是以两种完全不同的方式在表演,戏份不多的马奇的妻子也演的很好。PS真实事件改编,首演于百老汇的阵容还包括保罗.穆尼。

1小时前
  • 秦诺诺
  • 推荐

自持为正义与科学之化身的[乘风继影]代表了美国左派身上一切叫人反感的东西。他们是如此好为人师,以致要把双方写得如此一黑一白,费尽心机誓要把正确一方塑造为真理路上的殉难者,直到最后一秒才试图做出meta姿态。抛开一切套路不谈,影片最大的问题在于法律争论焦点的偏差。辩论的焦点明明应该是“老师有没有权利教授进化论”,结果最终却演变为宗教与世俗的文化斗争。这部所谓的message film彰显了某些左派人对于权力和“最终解释权”(Deutungshoheit)的执拗渴望。

1小时前
  • brennteiskalt
  • 较差

"An idea is a greater monument than a cathedral. And the advance of man's knowledge is a greater miracle than all the sticks turned to snake."

1小时前
  • 马赛克
  • 推荐

从表面上看是宗教的事,但说的更多的是思想独立言论自由。剧中的这条法律今天会残害一个相信达尔文进化论的人,明天就会残害另一个相信其他学说的人,乃至以后出现了新的宗教分支,或新的宗教解释,那在这条法律下就会出现永无止境的相互迫害。在辩护律师请人类学家心理学家考古学家等证人却不被法官允许上庭后,只能退而求其次,证明课堂上法庭上需要有思想言论的自由。这点跟林昭很像,她也许不赞同张元勋的观点,但她跳到桌子上说要允许别人讲话。结尾逆转利用了一点小伎俩,算是从某一方面展现了“若不允许自由思考自由说话,任何人都可能成为牺牲品”。

1小时前
  • 壹佰伍拾號🥈
  • 力荐

这部电影极高的立意、演员精湛的表演、巧妙的情节设置和振聋发聩的台词,使得它成为一部不可错过的佳作。“因为狂热和愚昧是永不止歇的,并且永远饥渴”,我还是第一次在电影中看到如此精准而形象地形容偏执和专断的危害的台词。“扰害己家的,必承受清风”,简单理解就是用专断的手段去达成思想上的目的的,终将被反噬,不是自己癫狂,就是被癫狂的他人吞噬。但是真正让影片升华的不是这些容易让人热血沸腾的台词。很遗憾地看到往往是传递和发泄情绪的文艺作品更容易流行,但是本片没有停留在输出情绪的层级上,而是在双方律师、当事教师、牧师和记者的关系上,传递出一种超脱于情绪的冷静和温情。这世上终有人独行,终有人会游离于所谓主流之外,但是所谓主流的存在只是特定时代背景下的产物,捍卫游离在主流之外的声音在任何时代都是有价值的。

1小时前
  • 丑嘴唇
  • 力荐

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